Some of you might remember a couple of years ago when Scarlett Johansson sued Disney because she was making significantly less money for Black Widow than was guaranteed in her contract because so many more people watched it on streaming than in theaters, how there was a massive misinformation campaign from Disney that a ton of people on this website (and Twitter and other social media) bought into: that she was a greedy bitch who didn’t respect people who needed to stay at home during the pandemic (I believe the word “ableist” was thrown around with aplomb) as opposed to someone who just wanted to be paid what she was owed, what Disney had initially guaranteed her when they signed the contract, and whose issue obviously wasn’t with streaming itself but with how little streaming was allowed to get away with paying her and other actors.
Anyway we’re going to see a lot of that from studios now, especially now that actors have joined the strike and it’s easier to sell them as rich and greedy than writers, because of this cultural stereotype we have of all Hollywood actors as celebrities. Don’t fall for it. SAG-AFTRA represents people like Tom Cruise and ScarJo but it also represents the kind of people who played a Borg in two episodes of Star Trek: Voyager in 1997 or who had one line in The Marvelous Mrs. Maisel as an enthusiastic audience member. Most actors are not crazy wealthy, and in fact, if you’re a big TV fan (especially older TV and genre TV) that likely includes some actor names that you know, who played supporting roles in your fav shows, or who were even a star in something decades ago but haven’t done anything major since. The AFTRA side also represents people like radio broadcasters. But even beside that, all workers deserve to be fairly compensated for the work they do, and the threat of replacing them with AI, or real actors being required to sign contracts to allow their likenesses to be used by AI forever without paying them, is an existential threat to acting as a profession in general. The actors are in the right. The writers are in the right. The studios are in the wrong. The studios have exploited new technology to get away with horrifying labor practices for years and their feet need to be put to the fire. Circulate the articles about how poorly the Orange is the New Black cast was compensated for making one of the defining shows of the early streaming boom, and of the studios saying they want to force writers to starve and lose their homes. Don’t get distracted by propaganda aping progressive-sounding language about wealthy celebrities. Focus on the real enemy, the real greedy, rich assholes who care more about money than people and art: the studios.
Tumblr already has a personalization algorithm it’s called my beloved mutuals who have great taste and only wish to psychologically damage me sometimes
Some character designs with some…atypical color choices? I guess. I don’t know what’s going on in that area.
This is Nimona and her supervillain friend (He doesn’t have a name yet, I’m working on that). Nimona is his sidekick/squire, they’re like the Batman and Robin of slightly Medieval villains, but she’s actually way more evil than him. He does what he does to make a point, and he doesn’t really want anyone get hurt - Nimona just gets a kick out of destroying stuff.
I’m going to attempt to make a two page comic with them? We’ll see how this goes.
This was tagged #homework and posted in December 2011.
that specific brand of vampire media that’s like “you’re a late 90s-early 00s vampire in a leather jacket and sunglasses in some sleazy underground goth club that’s playing electro industrial/aggrotech/goth rock music” ruined me on all other vamp media, I too want to be a vampire in a leather jacket & sunglasses in some sleazy underground goth club that’s playing electro industrial/aggrotech/goth rock music
